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While acknowledging the grave weaknesses of much Jungian writing on literature as unsubtle and rigid application of preconceived psychological notions and schemes resulting in particularly ill-judged or distorted readings, van Meurs still finds that sensitively, flexibly and cautiously used, Jungian psychological theory may stimulate illuminating literary interpretations (14-15). Desdemona replies that it was her fault: Nobody I myself. From the theorists, dissertations, articles, and books, often traditionally academic in orientation, appeared; the productions of the practitioners are chronicled and critiqued in van Meurss bibliography. As the play progresses, and Iagos plan culminates, Othellos good fortune begins to turn. Othello Archetypal Tragic Hero Analysis - 1236 Words | Bartleby Othello, unlike the other Shakespearean comedies, adds three more acts to the romantic drama, shifting from comic affirmation to tragic negation. Nor set down aught in malice. Archetypal literary criticism | Cram . He turns to Iago, who has been brought before him to know the reason for his actions. Examples Of Archetype In Othello - 477 Words | Bartleby If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. Archetypal theory and criticism, although often used synonymously with Myth theory and crticism, has a distinct history and process. Van Meurss bibliography conveys the great variety of Jungian writings on literature even within one language, the increasingly recognized potential for further development and use of Jungs ideas, and the growth in numbers of literary scholars falling under the influence of Jung. This heuristic distinction was formed, however, solely on psychobiographical grounds: Did the text originate in, and remain principally shaped by, the authors experience of consciousness and the personal unconscious or his or her experience at the level of the archetypal collective unconscious? Archetypal criticism, then, construed as that derived from Jungs theory and practice of archetypal (analytical) psychology, is a fledgling and much misconstrued field of inquiry with significant but still unrealized potential for the study of literature and of aesthetics in general. And new theories increasingly give credence to the requirement, historically asserted by Jungian readers, that each text elicit a personal, affective, and not merely intellectual response. Archetypal analysis is an appropriate model for customer heterogeneity whenever the underlying structure is best defined by the extremes. - Alfredo Alvarez, student @ Miami University, We use cookies to provide the best possible experience on our site. This scene has suggested to some critics that Iagos true motivation for destroying the marriage of Desdemona and Othello is a repressed homosexual love for Othello. The traits of the tragic hero lead the audience to feel compassion for the helpless victim. The tragic heros downfall, said Aristotle, was brought upon by some error of judgement. The romantic climax comes in the trial scene of act 1, in which Othello success-fully defends himself before the Venetian senate against Brabantios charge that Othello has beguiled his daughter, stoln from me, and corrupted / By spells and medicines bought of mountebanks. Calmly and courteously Othello recounts how, despite the differences of age, race, and background, he won Desdemonas heart by recounting the stories of his exotic life and adventures: She loved me for the dangers I had passed, / And I loved her that she did pity them. Wonder at Othellos heroic adventures and compassion for her sympathy have brought the two opposites togetherthe young, inexperienced Venetian woman and the brave, experienced outsider. FREE Archetype Essay Essay - Example Essays This recurring idea of an evil witch is extremely common and archetypal. He is the general of the Venetian army and a well respected man by the towns noble men. The play is set in Venice and Cyprus where a Moor, Othello, General of the Venetian army gets secretly married to a Venetian noblemans daughter, Desdemona. Othellos motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end. Abstract. ARCHETYPES OF LITERATURE BY NORTHROP FRYE PDF - PDF Portland However, as the play progresses, jealousy clamps down his mind, and his decisions are colored with jealousy that Desdemona is betraying him, leading him to kill her and take his own life. he asks, which gives pause to a theory of pure nobility. "Who can control his fate?" On a general level, Jungs and Fryes theorizings about archetypes, however labeled, overlap, and boundaries are elusive, but in the disciplines of literature the two schools have largely ignored each others work. His expression of his jealousy quickly devolves from the conventional"Farewell the tranquil mind"to the absurd: Farewell the plum'd troops and the big wars. Desdemona is oblivious to what is going on around her and stays loyal to her morals but Iagos rumours lure Othello to thinking otherwise. The fulfillment of the wedding night that should come at the climax of the comedy is relocated to act 2, with the aftermath of the courtship and the wedding now taking center stage. Commend me to my kind lord. They also attest to his self-confessed lack of interest in literature: I feel not naturally drawn to what one calls literature, but I am strangely attracted by genuine fiction, i.e., fantastical invention (Letters 1:509). archetypal criticism in othello Iago's intelligence and wit allows him to make good sport of the protagonists of the play, sending Othello to his doom and that of his family. This juxtaposition between Othello's transparency and Iago's duality identifies him as a sympathetic character despite his actions. I pray you, in your letters, Iago leads Othello to suspect that love and devotion are shams disguising the basest of animalistic instincts. An equal case can be made that Iago here completes his role as Vice, borrowed from the medieval morality plays, sealing the Faustian bargain for Othellos soul in this mock or black marriage scene. In Othello, the plot meets the definition of both Aristotle and Shakespeare on a tragedy. She is not as strong-willed like the other ladies and is Shakespeares example of the archetype of the innocence and has the bases of a flat character. Many fell prey to Jungs idiosyncrasies as a reader, ranging widely and naively over genres, periods, and languages in search of the universal archetypes, while sweeping aside cultureand text-specific problems, ignoring their own role in the act of reading and basing critical evaluation solely on a texts contribution to the advancement of the readers individuation process, a kind of literature-astherapy standard. This does not stop her, though, from continuing to care for Othello. Historical Criticism in Othello by Marissa Willette - Prezi Having triumphantly bested the social and natural forces aligned against them, having staked all to the devotion of the other, Desdemona and Othello will not be left to live happily ever after, and the tragedy will grow out of the conditions that made the comedy. reflects the archetypal villain" (Sen, ). I know not ift be true; But I, for mere suspicion in that kind, Will do as if for surety (2.1. Feminist archetypal theory, proceeding inductively, restored Jungs original emphasis on the fluid, dynamic nature of the archetype, drawing on earlier feminist theory as well as the work of Jungian Erich Neumann to reject absolutist, ahistorical, essentialist, and transcendentalist misinterpretations. This allows our team to focus on improving the library and adding new essays. Because of that, it has generated a lot of literary criticism in the 400 years since it was written and first . Othello makes an error in judgement, which leads to his change in fortune, and later realizes that his actions are what caused said change in fortune. With some of its advocates supported through early publication of their work in the journal Spring, feminist archetypal theory and criticism of literature and the arts emerged fullblown in three texts: Annis Pratts Archetypal Patterns in Womens Fiction (1981), which self-consciously evoked and critiqued Maud Bodkins 1934 text; Estella Lauters Women as Mythmakers: Poetry and Visual Art by Twentieth Century Women (1984); and Estella Lauter and Carol Schreier Rupprechts Feminist Archetypal Theory: Interdisciplinary Re-Visions of Jungian Thought (1985). No products in the cart. Alfiero, like Iago, similarly arouses the Moors suspicions by stealing Disdemonas handkerchief and planting it in Cassios bed-room. In his major work, The Anatomy of Criticism, he states: 'I mean by an archetype a symbol which connects one poem with another and thereby helps to unify and integrate our . To you I am bound for life and education; Archetypal criticism gets its impetus from psychologist Carl Jung, who postulated that humankind has a "collective unconscious," a kind of universal psyche, which is manifested in dreams and myths and which harbors themes . Literary Critics on Othello - Litchapter.com Examples of Archetype in Shakespearean Works. No single motive is relied on for long, and the gap between cause and effect, between the pettiness of Iagos grudges and the monstrousness of his behavior, prompted Samuel Taylor Coleridge in a memorable phrase to characterize Iagos motiveless malignity. There is in Iago a zest for villainy and a delight in destruction, driven more by his hatred and contempt for any who oppose his conception of jungle law than by a conventional naturalistic explanation based on jealousy or envy. My soul hath content so absolute To The Reader Baudelaire Analysis; Used Dudek Universal For Sale; Is Ignatius J Reilly Autistic; Spring League Football Tryouts; marxist criticism in othello act 1 . Marxist criticism would also have offered a distinctive way of looking at Othello. In addition, he modified and extended his concept over the many decades of his professional life, often insisting that archetype named a process, a perspective, and not a content, although this flexibility was lost through the codifying, nominalizing tendencies of his followers. The first systematic application of Jungs ideas to literature was made in 1934 by Maud Bodkin in Archetypal Patterns in Poetry: An attempt is here made to bring psychological analysis and reflection to bear upon the imaginative experience communicated by great poetry, and to examine those forms or patterns in which the universal forces of our nature there find objectification (vii). The term "archetype" can be traced to Plato (arche, "original"; typos, "form"), but the concept gained currency in twentieth-century literary theory and criticism through the work . Archetypal Theory - Literary Criticism Desdemona and Othello, therefore, face the usual challenges of the lovers in a Shakespearean comedy who must contend with the forces of authority, custom, and circumstances allied against their union. Iago reviews Othellos performance as a lover by stating, O, you are well tuned now, / But Ill set down the pegs that make this music. Iago will now orchestrate discord and disharmony based on a life philosophy totally opposed to the ennobling and selfless concept of love demonstrated by the newlyweds. That not another comfort like to this Despite this, Desdemona continued to stay true to Othello. Othello - Study Guide and Literary Analysis But the great literary text for Jungs life and work was Johann Wolfgang von Goethes Faust, not because of its literary qualities but because he sensed that the drama expressed his own personal myth (Letters 1:309-10). An example, is that they had to overcome a huge obstacle such as love because Othello and Desdemona were in love but her father did not approve of it. A tragic hero is a hero nonetheless, but it all comes down to how they hold themselves together in the face of. Aristotle believed that the plot is the most important element in a play and that plot also clearly points out the problem of any characters to be solved. / Man but a rush against Othello's breast / And he retires." And let the labouring barque climb hills of seas A few names form a core of writers in English (including many Canadians)Martin Bickman, Albert Gelpi, Elliott Gose, Evelyn Hinz, Henry Murray, Barton L. St. Armand, Harold Schechter, and William Stein though no single figure has attracted the attention of academic literary specialists, and no persistent commonalities fuse into a recognizable school critics who draw on Jungs theories. Archetypal Criticism - A Companion to Literary Theory - Wiley Online He sees it, in itself almost irresistible, aided at every step by fortunate accidents and the innocent mistakes of its victims. I took by th throat the circumcisd dog, This burgeoning theoretical movement and the generally unsatisfying nature of so much early Jungian literary criticism are both linked to the problematic nature of Jungs own writing on literature, which comprises a handful of essays: The Type Problem in Poetry, On the Relation of Analytical Psychology to Poetry, Psychology and Literature, Ulysses: A Monologue, and Is There a Freudian Type of Poetry? These essays reveal Jungs lack of awareness as a reader despite his sense that they may show how ideas that play a considerable role in my work can be applied to literary material (Collected 15:109^. Shakespeare's play, Othello, the Moor of Venice, is a powerful example of a tragedy and its main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. This article, then, treats the only form of literary theory and criticism consistent with and derived directly from the psychological principles advanced by Jung. The direction of Othello criticism will also be affected as literary criticism's longstanding commitment to cultural historicism comes under pressure from those who argue that explorations of context often come at the expense of literature's formal properties and affective registers, and as developments in the digital humanities enable fresh When you shall these unlucky deeds relate, While the beautiful. archetypal criticism in othello The Critical Analysis Of A Novel: Atonement By Ian Mcewan Atonement by Ian McEwan is a literary masterpiece and a highly critically acclaimed novel. An archetype criticism of othello, a play by william shakespeare. (PDF) Archetypal Criticism | Tiyas Mondal - Academia.edu 2. : In this quote, Othello is stating that his wife's supposed infidelity has ruined his name and turned it "black" and dirty like his own face, showing that a woman's fidelity was linked to a man's honor. (3.3.54) Ex. Thus, with the archetypal theorists multiplying across disciplines on the one hand and the clinically practicing followers serving as (generally inadequate) critics on the other, archetypal literary theory and criticism flourished in two independent streams in the 1960s and 1970s. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by all of the participants. How is archetypal criticism used to discuss Othello Archetypal You know how looking at a math problem similar to the one you're stuck on can help you get unstuck? You elements that clip us round about, What is striking about Shakespeares alteration of Cinthios grisly tale of murder and villainy is the shift of emphasis to the provocation for the murder, the ennobling of Othello as a figure of great stature and dignity to underscore his self-destruction, and the complication of motive for the ensigns actions. Othello assumes that Emilia is helping Desdemona in her infidelity. Frye's thesis in "The Archetypes of Literature" remains largely unchanged in Anatomy of Criticism. And despite frequently perceptive readings, the work is marred by the characteristic limitless expansionism and psychological utilitarianism of her interpretive scheme. That's a matter of opinion. Instead, they blame him for his own ultimate ruin. This explains his fascination with a text like Rider Haggards novel She: The History of an Adventure (1886-87), with its unmediated representation of the anima. As Jung himself noted: Literary products of highly dubious merit are often of the greatest interest to the psychologist (Collected 15:87-88).

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